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Bloodmoon
2016/ 25mins/ Taiwan/ Editor/ Directed by Wenti Wu
Supported by PTS Foundation
The blood moon woke up in the east, Yen-Si has a fight with her mother-in-law, Gua-Fun. Yen-Si waits for the bus that was going to take her far away from here. Her husband, Wang Zi-wu calls her and expect she comes back.
2018 Russian Film Festival --- Semi-Finalist Status
2017 Golden Harvest Awards selected to Outstanding Short Films
2017 Chicago Feminist Film Festival
2016 Around International Film Festival ---YEAR of BEST STUDENT FILM
Around International Film Festival ----MONTH of OCTOBER BEST STUDENT FILM
2016 Cine Pobre Film Festival
2016 TMFF - The Monthly Film Festival in October---CINEMATOGRAPHER of the MONTH
“What is most striking about ‘Bloodmoon’ is definitely the directing in our opinion. Wu WenTi’s film looks like a small fragment of reality, teared off and put on film. This is a ‘pure-blood’ narrative fiction. Characters look authentic and true, the mood is cold-tensed and ‘the dragon is about to eat the moon’.”
“ ‘Bloodmoon’ soaks into one’s bones, driving chills down the spine. It is one of the most tangible experiences of reality we’ve tasted lately.”
“Cinematography is confident and accompanies the events coherently.”
- TMFF
Supported by PTS Foundation
The blood moon woke up in the east, Yen-Si has a fight with her mother-in-law, Gua-Fun. Yen-Si waits for the bus that was going to take her far away from here. Her husband, Wang Zi-wu calls her and expect she comes back.
2018 Russian Film Festival --- Semi-Finalist Status
2017 Golden Harvest Awards selected to Outstanding Short Films
2017 Chicago Feminist Film Festival
2016 Around International Film Festival ---YEAR of BEST STUDENT FILM
Around International Film Festival ----MONTH of OCTOBER BEST STUDENT FILM
2016 Cine Pobre Film Festival
2016 TMFF - The Monthly Film Festival in October---CINEMATOGRAPHER of the MONTH
“What is most striking about ‘Bloodmoon’ is definitely the directing in our opinion. Wu WenTi’s film looks like a small fragment of reality, teared off and put on film. This is a ‘pure-blood’ narrative fiction. Characters look authentic and true, the mood is cold-tensed and ‘the dragon is about to eat the moon’.”
“ ‘Bloodmoon’ soaks into one’s bones, driving chills down the spine. It is one of the most tangible experiences of reality we’ve tasted lately.”
“Cinematography is confident and accompanies the events coherently.”
- TMFF
Veil Shadow
2020/ Los Angeles/ Editor/ Directed by Gloria Tonello
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